This scene is set on the seafront walkway in Yarmouth. The particular spot is under the Britannia Pier, with the metal staircase going up to the pier. I liked the shadow created and the lines of the concrete steps and metal shutters. Without rhyme or reason I introduced the fairground Orbiter (see also ‘G-Force’) which I had photographed in Hunstanton. I enlarged, dragged and cropped the contraption so it fitted convincingly. In between the steps going up was a background of people and the beach beyond. I cut them away and looked for something to fill the spaces. I needed a shot of the sun shining towards the camera to complete the composition and light direction. I eventually came across the photo of the Ferris Wheel on Yarmouth beach. Then the narrative defined the title.
Hotch-Potch Landscape 2
This photo was taken somewhere between Adelaide and Broken Hill in South Australia (I think!). Here we have a large wheat field, recently harvested, with black cattle grazing. What I have done is taken two copies from the original photograph. I then cut through criss-cross sections and round holes in the top copy to reveal the underlying layer. I applied a drop shadow to embolden the image. I thought as an experiment, it had a strong visual impact. Hotch-Potch means a confused mixture. I’m not too happy with the low res thumbnail representation because it looks a bit out of focus……
Reach
Visiting the annual Royal Norfolk Show, I took advantage of the photographic opportunities on offer. Here we have a commercial stand that was displaying different fork lift trucks. These are correctly known as Counterbalance Lift Trucks. Those in the foreground were exhibited together. There was another collection, which I have separated and silhouetted to fill the spaces behind. I was looking for a background and considered a three quarter view of a block of flats, but wasn’t impressed or convinced. The picture I selected was the photo I took of some plastic sheeting that I stuffed into an outside wheelie bin. It was the thick clear plastic that protected a new washing machine that I had unpacked. It filled the top of the bin perfectly, so I HAD to photograph it. I applied a filter to soften it.
Windows 2
I saw this Parabolic Grid Antenna at the RAF Air Defence Museum at Neatishead. I took a few a few photos of this outside exhibit, because I liked the curved structure. I isolated it from its original placement and set it against a more interesting cloudscape. I photographed this vista from the top deck of a bus. I was on my way to Norwich from Mattishall and the flat countryside and the ‘big sky’ was too good to miss. The recessed skylights are in the ceiling of Chantry Place Shopping Mall. I have curved them (to reflect the radar) and reduced their opacity. The one window I left is the prominent one, top right which strangely looks like a ship/boat/spacecraft ?
Gridlock
Visiting the Royal Norfolk Show, I came across this metal cage which looked quite interesting. I didn’t know exactly what it was, but took a few photos anyway. I now know it is a Cattle Crush, which secures the animal whilst it is being examined or treated. This model is the Tamar Squeeze, manufactured by L.M. Bateman at Cheddleton, Staffs. There were some side panels which I have cut away, and duplicated a couple of wheels, which I tacked on also. I put the ‘Lock’ and ‘Unlock’ labels on the frame too, hence the title. Looking for a background to set the frame against, was a long process. Eventually I selected a cropped shot of a jetty in Queensland somewhere. I applied a filter to give it a gritty effect, and darkened it a bit to give some contrast for the main image.
Brick Harbour
I decided to put this image in the COASTAL category for four reasons. The picture started with the interesting brick wall ( ancient and modern) which I photographed on Station Rd., opposite the Post Office at Well-Next-The-Sea. Then came the metal ring that is used for the ropes to tie-off the boats on South Quay, Yarmouth. The rope came from the bottom of a boat, moored at The Quay in Blakeney. Lastly was the boat. I took the photo, looking down from a pedestrian bridge that spans a concrete slipway at West Cliff in Sheringham. These components don’t have anything in common concerning size. I had the idea of turning the left hand portion of the wall into water, by distorting and applying a filter to give the desired result. (Convincing?……). I introduced the reflection of the sun and created the sparkling effect with a special paintbrush.
Waiting
There is a zigzag path that leads down to the beach from the Cromer Putting Green, at the top of the cliff. There are three staging posts which are shelters, like the one you can see. I thought they might be converted pill boxes from the war. The descending wall is dark grey, so I turned it white to compliment the shelter. The plaster cast statues were in the porch of St. Gregory’s Antiques And Collectables, which is an old church. I liked them and took some photographs in situ. I looked for a landscape to fit the picture. I considered several candidates, until I settled on this beach in Queensland somewhere. As for the dolls face in the square ceramic pot?……. I needed something to fill the empty space. The picture took a long time positioning and sizing the different elements. I applied a filter to soften the image.
Watching The Sun Go Down
This is the result of me just noodling around with a couple of photos, and exploring a possible composition. There is the electricity pylon at Arminghall, just outside Norwich, and separately, what I suppose is an electrical junction box, on a railway line, above a bridge on Long John Hill. The overhead power lines for the trains are also visible. Creating the sun, sky and stars with Photoshop, the picture exploded before my eyes!
Secured Colours
A little way up Cambridge St. in Norwich are two rows of ‘lock-up’ garages opposing each other. I noticed how each garage had a different door clasp latch. To make things more interesting (visually…) was that they had every type of padlock imaginable. I photographed the best examples. For the background, I sampled the colours from the chosen locks and ‘barcoded’ the results individually. I was amazed by the vast array of colours the were inherent to the locks.
Look Both Ways
There has been a large building development near the crossroads, at the end of Dereham Rd. called St. Benedict’s Gate. It is now complete, and is a big student accommodation complex. A new zebra crossing has been established, for bikes and pedestrians, to service the said blocks of flats. I took a few shots of the pristine markings and collaged them, as you can see. I incorporated the cutlery drainer, (same one, from three different angles) which I had photographed around the same time. I liked the object because I could cut out the spaces to reveal the background. ‘Look Both Ways’ is of course, stencilled with the markings, for the benefit of the user.